Gulf Coast Online Exclusives


Playing in the Institute: on Tag at ICA Philadelphia

C. Klockner

It’s still a question of how queer exhibitions can function within certain institutions without assimilating, without petrifying living works in order to propose additions to “the” hegemonic canon, but Tag proposes ways forward that walk indeterminacy with confidence.


Poetry, Fiction, & Nonfiction   

Bright Perfection

Nancy Au

The chicken crows at midnight. Crows at four o’clock in the morning. Crows when it rains. Crows when the sun sets. Crows when sirens blare down our street. Only stops crowing to eat.

A Note on "Dear Cyntoia Brown"

francine j. harris

At sixteen, life is supposed to be safe. Things are supposed to be beginning. We are supposed to be weaning from the care and guidance of people who have raised us. We are supposed to be on the brink of our adult lives. We should be taking the reins and figuring out how to care for ourselves, and we should have our most basic needs met so that we can care for others. It’s a volatile, dizzying, restless age. It is not always sweet.

intimate structures: Dorothea Rockburne at Dia:Beacon

Chloe Wyma

At once hermetic and worldly, ethereal and dense, this tightly focused exhibition reflects in its contradictions the difficulties and pleasures of Rockburne’s early career, which spanned from the late 1960s to the early ’70s.

How to Clean a Boy

Benjamín Naka-Hasebe Kingsley

Triple check the joist hooked / from your garage ceiling / is rated for at least 97 pounds.

From the Archives

Stag, Emblem, Anthem

Joni Wallace

...someone’s / white Dodge pickup blinkering down / the mountain, on the windshield / needle-likes, double columns, pentameters, / Bentley’s iconographic crystals / playing into zero visibility.

In the Valley of Whatever, I

Katherine Gibbel

I love expectation // beauty subsumed

Drunk Bitch Dreams of a Luminous Stream

Stevie Edwards

Drunk Bitch dreams of a luminous stream / & pisses herself. Drunk Bitch drops her drink in the lap / of a slightly less drunk body & is sure she's found love / in his smiling shrug

Devils, Our Sons

Karissa Chen

Our sons told us to place the steel cleavers we used to butcher hogs and chickens beneath our pillows, in case our enemies appeared.

From the Blog

Dora Malech makes her entrance into experimental poetry

To “stet” is the act of making a textual change and then changing it back and so on and so forth. In the spirit of “stetting,” Stet also acts as…

You Are Here: An Interview with Eduardo Portillo

“When I built my first stretcher, it was like finding a big surprise. It let me reinforce what I had been doing with painting, which was playing around…