Gulf Coast Online Exclusives


Father and Son

Flavia Company, transl. by Kate Whittemore

The man was his father. How could he be so disgusted by him? His mother, long dead, always told him: your father will outlive us all, but not before he makes us suffer as much as he wants to, and more.


Poetry, Fiction, & Nonfiction   

Bright Perfection

Nancy Au

The chicken crows at midnight. Crows at four o’clock in the morning. Crows when it rains. Crows when the sun sets. Crows when sirens blare down our street. Only stops crowing to eat.

Kimchi Daily

Leora Fridman

This is the fantasy of self-sufficiency: healthy in a closed loop, without needing anything from anyone else.

Reliquary

Alyssa Proujansky

A cupboard is just asking to be opened. A cupboard doesn’t ask a question, but is, by its very nature, an entreaty. A cupboard says it did not ask to be a cupboard, did not ask to be an entreaty, is not, in fact, a cupboard at all.

No Separate Thing Called Nature: An Interview with Richard Powers

Charlotte Wyatt

The Pulitzer Prize-winning author talks to Gulf Coast about trees, the transformative power of storytelling, and how writers might respond—and stay responsive to—the unique demands of this moment in both human- and tree-time.

From the Archives

Against Blinders

Jonathan Moody

I see Justice in the form of Dr. Attisha; through her horn-rimmed glasses, I see the blood lead levels doubling inside of toddlers.

Excerpts from Katabasis Ex-Voto

Carla Faesler; Trans. Karen Lepri

We moved on low power since the noise neutralizers haven’t thawed from everything. We found rudimentary structures seemingly abandoned...

My Mother's Face

Claire Scott

my mother leaning in listening / her usual face her yesterday’s face / out cold on the couch

Can I Have a Hug First?

Mary Paula Hunter

As a witness should I run to her? Make sure she's not suffering a stroke or an aneurysm? I pictured a headline demanding the whereabouts of a witness who'd left the scene of a potential homicide.

From the Blog

Dora Malech makes her entrance into experimental poetry

To “stet” is the act of making a textual change and then changing it back and so on and so forth. In the spirit of “stetting,” Stet also acts as…

You Are Here: An Interview with Eduardo Portillo

“When I built my first stretcher, it was like finding a big surprise. It let me reinforce what I had been doing with painting, which was playing around…